In the series he has skinned – changing his name – to a Channel 13 reporter who is fed with lies by the attorney general’s office and the prosecutor’s – droplet on Maria Marta’s head, for example – or one-sided evidence against Carrascosa, hiding that. There is also a behind the scenes justice-media synergy which is seen permanently in criminal and political matters. The justice tried to establish the idea that the entire family was involved with the money of the Juarez cartel, a hypothesis so far-fetched that the prosecutor He himself had to refrain from presenting it. And that was exactly one hole in the charges against Carrascosa: Not a single witness who said that he and Maria Marta had a disagreement, some fighting, a truce. Make sure you get a cell phone,” the prosecutor tells the prosecutor in the chain. “If Carrascosa isn’t guilty yet, it’s a scam. In eight chapters, directed by Diana Gogi, the García Belsuns case portrays behind the scenes: the justice system – including the fictional prosecutor Marcos del Río and the prosecutor – knew that Carrascosa was not guilty, but they could not appear to public opinion and In front of the media as “weak and wrong”. In other words, the chain is gentle with rye as well. Centeno-a brilliant performance by Nicolas Francella-appears to be a fairly gentle son with his mother, but in that week, at the trial, audio was known for the first time in which he tells his mother: “Why don’t you go to your mom’s pussy, jump out the window and stop breaking my balls? Sad, mentally deranged.” In fact, the mother did just that: Five months later, she committed suicide by jumping off the 11th floor of the building she lived in. The impeccable text of Martin Méndez and German Loza missed something that had been hidden for 20 years and is only known now. ![]() Those of us who know Carrascosa testify that he walks, talks the same, smokes the same.Īs has been written many times, reality is stranger than fiction. All this is depicted in eight chapters in which George Marale, who plays Carrascosa, gives a memorable performance. ![]() He did something simple: he published the conflicting evidence emerging from the file and, above all, brought to the fore a tremendous history of Centeno’s theft, especially on Sunday evening, when the sociologist was murdered. – the fictitious name of the neighbor now accused in the trial– with concrete evidence arising from a reality that until now was little known: two women, Belén Fanesi and Juana Gómez Andrada, who had any connection with Carrascosa No, he decided to start publishing a blog because he felt like the widower didn’t kill Maria Marta. On the other hand, the series goes in the opposite direction: it indicates without a doubt that the killer was Nicolas Centeno. ![]() Since 2002 the media-judicial gaze has been fierce, merciless and aimed solely at targeting María Marta’s husband, Carlos Carrascosa, as the perpetrator of felony murder, and the entire García Belsons family as a cover-up. Great series Maria Marta, Crime of the Country, may seem biased towards anyone who has read the newspaper or watched TV in the past 20 years.
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